![]() Lyrical topics include crumbling ecosystems, the protestors who drowned a statue of Bristolian slave trader Edward Colston, a fantasy pub crawl through Edinburgh, and the slow disintegration of old friendships. Fidgety single Slightly Shaking Cells verges on baroque pop, but across the other 11 tracks, you’ll find post-punk, new age, krautrock and folk influences, as well as field recordings taken from the inside of tree trunks, audio from a home video of Brook’s fifth birthday party, and the rev-rev-rev of their producer’s motorbike. Instead, over five years, two albums and two EPs, they have continued to find unpredictable ways to combine their chosen basic ingredients: violin, drums, bass, and the respective vocals of Brook, Burroughs and Jones.ĭespite this directness, latest album Smiling Pools is maximalist in almost every other way. Pozi songs are philosophical, often political and usually funny, but the band are determined to avoid accumulating any kind of trademark sound. “We’d rather have it that the song talks straight to you,” says Burroughs, resolutely. The south London trio formed around a clear desire to create music that sits slightly to the left of everything else, allowing ample opportunity for happy accidents. Bassist Tom Jones was a guitarist once, but it didn’t fit the vision: “I said he’d need to swap,” Burroughs grins, as Jones mimes a neck-chopping nope. Listening to art punks Pozi speak about their craft, you could mistake them for minimalists they don’t use any guitars or chords, just sparse lyrics and plenty of room left for the unexpected. Space! I wanted the compositions to feel like a breath of fresh air.” ![]() ![]() Pozi drummer Toby Burroughs is patiently explaining the band’s approach to writing lean, poetic songs, when violinist Rosa Brook decides to demonstrate it instead: “Cut it!” she chants, relishing the brevity. ![]()
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